

‘The reason I do children's books - write and illustrate them - is that I really needed books when I was a child.
That was the time in my life when I really, really, REALLY needed books because I grew up in this little German town. There wasn't a whole lot to do there. There were trees, and aluminium and stuff so I really needed to read books then...reading them and tearing out the pages I didn't like and colouring in the pages I did like. I especially liked books that were telling me how the world is actually a very exciting place, because I thought it should be, and books about how to make things and do things. I worked out that people actually make books at some point, and I was like, ''Oh wow, I want to make books.'' I thought, ''But I'm too small, I don't know how to.'' But I started imagining what kind of books I wanted to make and I made this list which I still have. I'll read you out the list of books I though should exist which I've since been working on:
A book that is a pet to play with, and more exciting than gerbils.
A book that is guide to the adventurer's world, which is much in the same place as the non-adventurer's world but you need maps and explanations
to make it work.
A book to keep me safe.
A book that's actually tasty.
A book that explains how there's a city of pigeons above a human city.
A book that is an adventure.
‘And then all these books would be my friends. They would give me stuff and play with me, and if a burglar comes I would hit him over the head with
a book, and if I got lost I would have a book which folded out to be a house. Basically, brilliant books. I've been working my way through that list ever since I started working. Whenever I start work on a book, I think, which one is it? I hope it's on the list.’
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A character in the making... look what became of it! |
I'm quite funny. I know because people say so even though I'm not trying, most of the time anyway. In fact, they tend to say it more the more normal I think I'm being at the time.Sometimes someone I am communicating with (successfully, I think) shakes their head, apropos (I think) of nothing in particular, and asks me if I have any idea how God Damn Hilarious I am being. I don't mind that particularly much. It's much better than calling me "mad" or "eccentric" (is everyone else "cenric"? What are they even talking about?) - also better than just nodding and walking off briskly without any sort of excuse, although I kind of like that as well because people who do that are not pleasant conversationalists anyway. They are mostly guys who say they are connaisseurs of women and ask weird questions like "why do you wear lipstick when you are intelligent enough to know I don't like it". But I digress. There are a lot of funny people in the world. I think everyone is funny, but then I think that it might just be the kind of person who hangs around near me tends to amuse me. I mean, I can't tell, there is no scientifically valid way for me to work out if everyone else is funny even though I think they are. People also often think that I am pretending to be more stupid than I am, maybe in an attempt at being funny. I don't do that, I think people just have a narrow idea of what intelligence means and what it makes you do. It sure doesn't stop people from being ridiculous. Anyway, the strange thing is that somehow I am now being funny for money. I didn't mean to do that, I didn't try to avoid it neither. But it's strange, isn't it? It's meant to be very hard work to be funny for a living, especially if you are female, and even more so if you are German. I'm a female German, what's up with that? Maybe it helps that I do work for Children. Not that people would reason: our children need some cheer, let's get an unintentionally hilarious German lady in here, quick... they don't do that, do they. Also I'd not turn up because a) children are scary and b) statistically I only turn up to every forth social invite, so that would be not a good strategy, inviting me when your children need anything. The point is: I am often surprised about my job. I sometimes find myself laughing while I am drawing, and I stop and think about what made that happen, because generally I wasn't even trying to draw anything funny. Recently, I have stopped the stopping and thinking because it's just slowing me down, and it's more fun to read the whole book when it's finished and laugh my head off then. I thought about this a fair bit today, and in the end I realised that I was not coming to any conclusion at all, not even a small one. I guess I just don't get my own sense of humour, maybe because I'm German. That's ok. I also do cute drawings.
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Noteshelf Doodle |
For some reason God is listening to my ideas. It's not quite the same as listening to my prayers. It's more like he's somehow inclined to realise my more involved inspirations. I am rather excited about this, and sketch out in my mind a planet covered in sweet bouncy foam, just viscous enough to swim in it but not so one would sink. I am just about to design the athmosphere, which of course would need to be breathable, when I get distracted by goings-on in the harbour. A large ship is closing in, with a kind of cannon at the top. A war ship, most definitely. Behind it, some sort of aircraft carrier, also armed. The carrier fires. An almighty wave comes up from the sea. The ship turns its nozzle on us, and foam billows forth, covering everything. I think: aw no, God, not like that... The valleys are flooded, the forests disappear as the foam and water react, sweet radioactive foam bloats up, forming an inviting blanket over all, leaving merely the hill we stand on... People are crying, I am glad they don't know this was my idea. We walk to the edge of the foamy waste. What am I supposed to say - well done, God? I fold my hands and say: "Lord, I am sorry. Please, do not follow my ideas any further. I do not demand for my prayers to be heard, but I pray for better prayers." The foam retreats. I am not sure how to feel about all this.